PAUL KINDERSLEY

I collected images from Paul Kindersley's instagram, which i felt reflected 'dressing up', and different perspectives that can be built on this.

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The most obvious part of dressing up is makeup, as a child would be expected to mess around with bright colours of makeup. When considering how normalised this phrase would apply children, almost an expectation for the identity of a child, it plays a big part in the fundamental part of a child’s psychology. Paul somewhat reflects the childlike notions of colour choices and bold styles of makeup, but the placement is what conveys the message or mood for a concept. I don’t think a concept is even necessary with makeup, as anything on the face will stand out, and allow the viewer to create perspectives for themselves.

PAUL KINDERSLEY Ship of Fools

Paul Kindersley and company performing Ship of Fools

Ship of Fools - Paul Kindersley

Selfridges is used to some outré types wandering its floors, but on Tuesday night the flamboyant group of exotic androgynous characters strutting around in fulsome wigs, lurid makeup and elaborately painted costumes were stopping even the most jaded shoppers in their tracks. The gathering was the first airing of artist Paul Kindersley’s latest performance extravaganza The Ship of Fools which follows on from the rumbustious carnivalesque feature film he made in response to Virginia Woolf’s novel Orlando exhibited at Charleston House last year.

This extract from the article interests me from the way in which the dressing up is described, and how it stopped people in their tracks. the amount of 'dressing up', and whoever is doing it alters how it will be viewed, and this lies at the opposite of the dressing up children. the dressing up of children is the most mundane thing that is always looked over, so i find this related but completely contrasting image interesting in how it stopped shoppers in their tracks.

PAUL KINDERSLEY Children's costume

Children's costume: the complete historical sourcebook - John Peacock

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following the theme of 'dress up', i found that this phrase applies easiest to children. almost as if they are expected to do this, despite the other connotation driven from this phrase, i'm choosing to focus on its simplest meaning. i collected these images from a picture book on the history of children's costume, slightly emphasising on how they evolve, but more on design and silhouettes that stay through history, such as the flared ballerina skirt. i also used a variety of history for a larger pool of design to take inspiration from.

PAUL KINDERSLEY v&a Exhibition

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Top left: Grayson Perry, Perivale, London, 2009

Top right: Lindsay Kemp 'Histoire du Soldat', costume: Sandy Powell, Livorno, Italy, 2015

Bottom centre: Grayson Perry and his bicycle, London, 2018

 

PAUL KINDERSLEY v&a Exhibition

Tim Walker: Wonderful Things
 
The exhibition Tim Walker: Wonderful Things displays 10 photoshoots inspired by the V&A’s enormous and eclectic collection.  
 
An embroidered casket dating from about 1675 was Walker’s starting point for the Box of Delights photoshoot. He drew a connection between the intricate secret garden contained in the casket and the private world of fantasy and transformation found in the London club scene. 
 
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• SERIES: Box of Delights
• FASHION: Ludovic de Saint Sernin
• COSTUME: Shona Heath
• PLACE/YEAR: London, 2018
• INSPIRATION: Embroidered Casket , About 1675 V&A: T.23-1928
 
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Court Mantua 1755-60
 
England
Silk brocaded with gilded silver thread
Given by the Crawley Family
 
In the 1750s, formal 'court' dresses were made from fashionable and expensive fabrics and were often woven with gold thread to sparkle in the candlelight. After lying forgotten in an attic for many years, this gown was found inside a trunk labelled 'dressing up clothes'. Today, Jame's Spencer and his friends live out their dreams wearing clothes heavily influenced by garments like this.
 

PAUL KINDERSLEY The Victorian Novel and Masculinity

 The Victorian Novel and Masculinity - Phillip Mallett

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